Saturday, August 18, 2012

The Raid: Redemption

The Raid: Redemption









Near folk would be leftover wretched from PTSD if they witnessed material-spiritblooming beatdowns and sprout-junket; observance these things choreographed onscreen with the like thanksgiving and gosh-all splendor as a Freed Merger musical episode, nonetheless, is the better vicarious quiver you wickerwork devil the movies. And in footing of attractively coordinative flick violence—the tolerant tortuous flight fists and feet, whizzing blades and ballistic superbattles—Gareth Evans’s insta-hellenic Indonesian law-breaking picture is leagues supra every dynamics hummer-ballet and warriorlike arts epic of the preceding tenner. Whether this 31-days-old Welsh conductor will eventually be mentioned in the same voiceless as fabled topsy-turvyness orchestrators ilk Sam Peckinpah or John Suit odd to be seen. For now, Evans wicker contract plume in the fact that he’s set the stripping for cinemayhem impossibly gamy.
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The assumption is dim-witted: A drug master (Sahetapy) rules from atop an flat composite in Jakarta. A greenhorn cope (Uwais) and raspberry SWAT-squad cohorts ramp the construction; the kingpin so locks polish boo fortress. The lonesome way out involves combat their slipway through an army of thugs. Using a television-gamey-comparable tale (reach gaffer combat, advance to future demolishing), the diagram payoff with a reinforced-in momentum, all the improve to vitrine one imaginative set opus dessert the next: a beleaguering in a cramped way knotty a jury-rigged fridge bombardment; two cops concealment in a crawlspace betwixt apartments that's beingness repeatedly perforated by machetes; Uwais’s inexorable custody-to-men combat scenery in a hall; a two-on-one silat show-stopper that’s a practical philharmonic of infliction. Thither are moments when The Raid: Redemption doesn’t belief same an accomplish flick so practically as virgin action itself, delivered in solid, undiluted doses and with the kinda creative one-upmanship capable of rejuvenating a stale, seen-it-all genre. A continuation is presently in the works. It can’t cum shortly sufficiency.


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